Archive

Archive for January, 2013

New issue of The Burning Bush 2 is out now

January 25, 2013 Leave a comment

Reblogged from Burning Bush 2:

Issue 4 of The Burning Bush 2 is out now. Featuring poetry from Patrick Chapman, Celeste Auge, Noel Duffy, Barbara Smith, Christopher Locke and others; fiction from Dave Lordan and Danielle McLaughlin; and reviews of Joseph Horgan and Keith Gaustad.

Categories: Uncategorized

Alcohol: a poem inspired by certain recent incredible events in our countryside

January 24, 2013 1 comment

Alcohol

One morning in the springtime of 1985 the people of the neighborhood of Bog decided, all at once, to cease drinking alcohol

and began chanting together for freedom instead,

chanting of freedom and love and togetherness in undulating unison,

chanting like early christians at mass in the wilderness,

like early christians calling down the assumption.

*

Midday came and went

for the first time in decades

without one drop of drink in the neighbourhood

as the people of Bog were chanting along

with ever greater harmony,

with ever greater melody,

with ever greater enthusiasm,

and even as they chanted

the men took turns to hug each other,

hug each other long and hard

and tearfully,

crying tears of release

tears of return

tears of purification.

*

The chanting and hugging also helped

the men and women ignore and ride over the seizures and shakes

and the Hamlin of rats that had poured

from the alcohol sewers inside them

in the throes of delirium tremens, which passed.

*

Then each one of the clarified men

lay down on their bellies like serpents

in prostrate penitence

before the women and children they

had treated as punchbags and slaves for so many years

and there was so much more weeping

weeping of joy and acceptance,

rivers of rage and forgiveness

as the chanting went on

higher and higher and still more absorbing and sonorous.

*

Night fell. The neighbourhood of Bog was assaulted by the enraged allies of alcohol

at both of it’s exits.

The exit leading to the town which Bog was semi-attached to

was attacked by publicans and priests bearing stakes and clubs and maces and knives.

The exit leading to the west and the coast and to Washington and disappearance

was attacked, with the usual vigour, by police with batons and gas alongside schoolteachers with belts and canes and long

bamboos full of splinters,

but none of these had reckoned on mongrels

on the vicious stray dogs of the neighbourhood of Bog who

had also stopped drinking

stopped drinking and sniffing and wanting to die,

wanting to die but being too broken too cowardly too toxic dependent

to actually kill themselves.

No, the assailants had not reckoned on dogs,

who, by stopping drinking, had become more like what wolves

might have been had man not existed

or superior aliens with street-fighting genius

and while the people of the blighted neighbourhood of Bog

continued in beautiful unison

with their now approximately Byzantine chanting

these dogs tore all their assailants to strips

and devoured them down to the marrow and bowels.

For the very first time the neighbourhood of Bog

belonged to the creatures who lived there.

*

But only till news got up to the capital,

where the distillers and brewers in charge of the land

met right away to plot the destruction of Bog.

They sent all  their battalions with Poitín grenades

and squadrons of copters to spray

all the Boggers with whiskey and stout

but the Boggers kept chanting for freedom and love

and despite the all-sides unending bombardment

left not one drop of the poison get onto their tongues.

*

Besides, the allies of alcohol

had not reckoned on the roads

that they themselves had built

for the purposes of distributing their alcohol

but which had also stopped drinking…

and the stone cold sober and pitiless roads

simply flipped over and buried

the alcohol armies upside down and alive

as they convoyed and marched.

*

Neither had President Gin and the Chief Cider Minister

war-gamed the crows or the wind or the clouds or the fog

who each had quit drinking at the same time as

the neighbours of Bog

and conspired now to bring each of the choppers down blazing.

*

The disease ridden shacks the Boggers had lived in

collapsed

the enormous toxic factory in which some of the

the men had occasionally laboured

for alcohol

dissolved into dust

the little church blew up

the corner shop, the primary school,

the telephone poles, the roadlights, the walls and the steps,

disappeared.

*

Then with the help of the wind and the dogs and the crows

the victorious people of the disadvantaged rural neighbourhood of Bog

closed over with woodland

the village and all of their region

and closed over with woodland

all the roads that had flipped over and

buried the alcohol armies

for woods are the way-of-forgetting

all the roads and the regions

woods are the way of back-to-beginnings

the best way of starting again.

*

From then on the victorious people of Bog

would live on and chant in their freedom

in the midst of this forest of yew and of oak

of aspen and hawthorn and birch

trees which would mind them

and raise them as children of gods

who’d respond to their love and their communal chanting

and where the free people who used be from Bog

would never be spied never be caught

never again be entrapped in a neighbourhood

as long as they stayed off the alcohol.

Cover of FIRST BOOK OF FRAGS

January 22, 2013 Leave a comment

Cover of FIRST BOOK OF FRAGS

Click photo to pre-order now from wurmpress

DEFINITION OF A FRAG

January 12, 2013 1 comment

Frag

1: A remnant out of which a whole or wholes may be speculated, but not reconstructed. A Frag is not a Fragtal. The relationship(s) of a frag to a whole or wholes is complex and necessarily phantasmagoric. It is possible that there is no relationship: A part with no whole to go to. Neither is a frag required to be internally consistent either structurally or hermeneutically. Its own constituent parts may therefore make no sense, or at least no immediately discernible sense, in relation to one another.

2: A sign of decay, impending collapse, transformation.

3:  Of or related to fragging, the mutinous practice of the lower ranks executing their officers. vb reg. To Frag e.g Major Woodburn was fragged last night when the men put a grenade into his pillowcase while he was sleeping.

4: A piece of shrapnel or debris left over after an explosion, including organic debris, such as the universe.

5: A fragment of any kind.

6: A piece of Atheological scripture or a script based atheological divining method sometimes employing automatic writing and sense disruption techniques in order to attempt communication with, or attempt to represent, that which and/or those who cannot concretely exist and must be imagined into being instead.

7:  A literary form drawing on any, some, or all of the above definitions.

The world’s FIRST BOOK OF FRAGS, available here

“echoes of James Joyce and Angela Carter”–First Book of Frags‏

January 10, 2013 2 comments

“echoes of James Joyce and Angela Carter”–Nuala Ní Chonchuir

A new form brings a new kind of fury. Pitched somewhere between the short story and the narrative poem, Frags delivers fragments and stark narrative incisions knitted together by a darkly satirical and formally challenging twenty-first century tone of political urgency. Frags shows up the jaded politico-economic media excursus on the recession and its discontents for the white noise that it is. Whether it is the Orwellian “Street Party”, the vitriolic David Foster Wallace-like “Living in Ikea”, the Beckettian Irish stew of “A Bone”, or the Bolanoesque “Dr. Essler’s Cocaine” the crafted howl of Frags rarely lets up. Cathleen Ni Houlihan is a scavenging Kathleen who sleeps on a “rained on mattress in the woods surrounded by empty wine bottles,” the Iron Lady has been melted down, and Ireland’s Kafkaesque educated unemployed who ponder justice have been transformed into flies, not cockroaches. Dave Lordan’s surreal yet scathing sketches of suffering, violence and ear-splitting silence should capture the hungry imagination of a disillusioned majority.– Michael O’Sullivan
 

First Book of Frags, my new book of experimental short fiction, including Fucking TitanicAt Slane Mcglowan’s Funeral and the pushcart prize nominated A Bone, is now available for pre-order. 
 
I am available for interview and readings from the book. If you are interested in interviewing me and/or reviewing the book on your blog, website, etc I can forward you an e-copy gladly.
 
Social media shares would be a great help too- this is non-commercial writing from an independent writers press; there is no PR budget.
 
Your support is appreciated.
 
Best wishes
Dave Lordan
 
 

First Book of Frags is a gallery of cosmic and psychic perversion and violence.  Punctuated by moments of intense, incandescent writing, it gives us a marriage of heaven and hell, good and evil, repressive force and hopeless sex. Whether it shows us the success of suicide towns, the unrecorded victims of the Titanic, revolutions in housing estates, cornerboys, destructors, accomplices, violent fire bombings, stew and shit stirrers, animals and pornstars, writers under attack, the people who live permanently in Swedish-based furniture stores, or women speaking to the dead, it is always, allegorically and literally, concerned with an Ireland, a Europe, and a humanity which has lost its way and wandered into nightmare dead ends only partially of its own making. The contemporary resonances of these strange and brief short stories, with their weird and uncanny narrators, equals the political bite of Lordan’s best poetry. — Graham Allen.

Definition of a Frag

1: A remnant out of which a whole or wholes may be speculated, but not reconstructed. A Frag is not a Fragtal. The relationship(s) of a frag to a whole or wholes is complex and necessarily phantasmagoric. It is possible that there is no relationship: A part with no whole to go to. Neither is a frag required to be internally consistent either structurally or hermeneutically. Its own constituent parts may therefore make no sense, or at least no immediately discernible sense, in relation to one another.

2: A sign of decay, impending collapse, transformation.

3:  Of or related to fragging, the mutinous practice of the lower ranks executing their officers. vb reg. To Frag e.g Major Woodburn was fragged last night when the men put a grenade into his pillowcase while he was sleeping.

4: A piece of shrapnel or debris left over after an explosion, including organic debris, such as the universe.

5: A fragment of any kind.

6: A piece of Atheological scripture or a script based atheological divining method sometimes employing automatic writing and sense disruption techniques in order to attempt communication with, or attempt to represent, that which and/or those who cannot concretely exist and must be imagined into being instead.

7:  A literary form drawing on any, some, or all of the above definitions.

 

Becoming Something New- January’s Creative writing prompt for New Planet CABARET

January 3, 2013 2 comments

Deadline: 28th January.

Maximum word count: 700 words.

Writing in any any genre or style considered.

Pay attention to the prompt and the additional guidelines.

email NEW PLANET CABARET arena@rte.ie

This month’s creative writing prompt encourages you to ditch all your doubts, file away all of your fears, give in completely to your fantasies and become something new:

  • Is there something precious to you that you desperately want but can’t have?
  • Is there somewhere deeply enticing you want to go but you are prevented by your real life circumstances from ever going there?
  • Is there a secret someone else you wish you were, someone who does what you are not allowed to?
  • Is there something you are tempted by but you resist the temptation because the consequences of carrying through would be too much for your conscience or your bank balance to handle?

Become anything you want to be, human or inhuman; go anywhere you want to go, real or unreal; do anything you want to do, very very good deeds or very very bad ones.

Why not write your wishes as your memories, as if they had come true?

Design an alternative life for yourself and write us an episode from your new existence. Don’t hold back. Let go. Use a pen name if you need to.

Writing in any style or genre. The word count should be a maximum of 700 words and the closing date is Monday January 28th.

Note

If you do want to submit your work to arena for possible broadcast, and for possible publication in our RTE/New Island Press anthology, there are a couple of additional things you need to keep in mind.

  • We want work that will come across well on the air and on the page. It must speak in an interesting and novel way to Arena’s broad and intelligent audience. Be original. Avoid cliche. Pay attention to the medium you are writing in and the audience you are writing for.
  • Think about the title of the project: NEW PLANET CABARET. NEW means work that is alive to and interested in the novelty of the present moment and in the way the world is changing around us. PLANET means we are seeking work that speaks to us from all over the world, work from and about our diaspora, work from and about our own many immigrant communities, work from and about those who have traveled and journeyed. CABARET means we are looking for work in a variety of styles and voices, and also work that is both sophisticated and well communicated, both experimental and populist- writing that is serious entertainment.
  • Email your entry with the heading NEW PLANET CABARET to arena@rte.ie or by post to Arena, RTE Radio 1, Donnybrook, Dublin 4. All entries will be read and considered, but only those people whose work has been chosen for broadcast will be contacted. No other correspondence will be entered into and canvassing of any kind will disqualify. DO NOT CONTACT ME DIRECTLY.
  • Listen in to RTE RADIO 1′S ARENA at 7.30 pm on the first Tuesday of each month to hear some of the selected work, and more discussion about creativity, along with the next month’s writing prompt..
Follow

Get every new post delivered to your Inbox.

Join 1,037 other followers